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Composer • Music Producer • Sound Designer

Hear the unseen.

R a f a ł  L i p k a

Sonic Storyteller

MUSIC SHOWREEL

SELECTED WORKS

"Maleńka Apokalipsa" dir. Izabela Zubrycka |
short film

"Punkt Podparcia" dir. Maciej Janicki | documentary

role: composer / sound designer / audio post-production

role: composer

My entry to 2026 Indie Film Music Contest
"A Students" dir. Cameron Perry

role: composer

My entry to the Adam Audio Soundtrack Competition 2024

"Compose a short soundtrack (max. 30 seconds) for the picture above"

"Nazraleth: The Fallen World" Game Trailer

Music and Sound Design REDESIGN

Wesele (folklor_crescent_emotional_choir)Rafał Lipka
00:00 / 01:33
Possiession of Grils (energetic_slavic_arabic_techno_witchery_party)Rafał Lipka
00:00 / 01:25
Leftovers Flame (emotional_piano_warm_soft)Rafał Lipka
00:00 / 00:56
Monstrous Task (massive_blockbuster_cinematic_hybrid_orchestral)Rafał Lipka
00:00 / 02:57
High on Arcade (retro_games_ecstasy_electronic_vibrant)Rafał Lipka
00:00 / 01:18
Magic Moon (fantasy_guitar_adventure)Rafał Lipka
00:00 / 02:17
Upper Class Trickery (orchestral_quirky_dramedy)Rafał Lipka
00:00 / 01:38
Semira Variations (love_warm_slow_mellow)Rafał Lipka
00:00 / 01:26

GAME SOUND DESIGN SHOWREEL

ABOUT ME

Rafał Lipka is a composer, music producer and sound designer creating music that strengthens emotion, atmosphere and storytelling. His work combines emotional storytelling with meticulous sound design, treating music as an integral part of the narrative rather than simply a background element.
 

He has composed music for Maleńka Apokalipsa (2024) and Kołtunica (2025), both nominated for the Polish Film Festival in Gdynia (FPFF), as well as the documentary Punkt Podparcia (2023), awarded at the On Art Festival 2024.

Each project begins with finding its own sonic identity. Instead of relying solely on commercial sample libraries, Rafał often records custom sounds, builds original virtual instruments and blends acoustic recordings with electronic textures to create a distinctive musical language tailored to the story.
 

Alongside his work for visual media, he has been developing his solo project, Barrus, since 2018. His latest album, The Kids (2024), explores progressive and alternative rock while reflecting his cinematic approach to composition and sound.
 

He refined his audio engineering skills at Hertz Studio and further developed his craft at film scoring workshops in Gdynia led by Jan A.P. Kaczmarek (2021) and Jerzy Satanowski (2022). Since 2026, Rafał has been a member of SPACe for Composers, a community supporting professional composers working across film, television, games and other media.

CONTACT

MAIL

PHONE

+48505948904

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